1742 antique book Aesop fables didactic tales fine engraving red morocco leather

Description: Published by Coustelier in Paris during the year MDCCXLII (1742). Printed by G. F. Quillau. Illustrated with a nicely engraved frontispiece, as well as with few nice vignettes. Binding: leather / red marocain (red morocco leather). Text: latin. 132 pages, 15.5x9x1.5cm. Good+/Good condition in general - see photos (foxing, yellow/brown stains, few creased pages' corners, partial fading on inner side of boards, worn cover where stains, cracks/scratches, rubbed/discolored/splotchy parts, minor pieces missing from boards' corners/edges, etc)Shipping (registered letter) worldwide: $16. *Aesop (c. 620-564 BC) was a fabulist or story teller credited with a number of fables now collectively known as Aesop's Fables. Although his existence remains uncertain and (if they ever existed) no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. In many of the tales, animals speak and have human characteristics. Scattered details of Aesop's life can be found in ancient sources, including Aristotle, Herodotus, and Plutarch. An ancient literary work called The Aesop Romance tells an episodic, probably highly fictional version of his life, including the traditional description of him as a strikingly ugly slave who by his cleverness acquires freedom and becomes an adviser to kings and city-states. Older spellings of his name have included Esop(e) and Isope. A later tradition (dating from the Middle Ages) depicts Aesop as a black Ethiopian. Depictions of Aesop in popular culture over the last 2500 years have included several works of art and his appearance as a character in numerous books, films, plays, and television programs. Note: Phaedrus (c. 15 BC-c. AD 50), Roman fabulist, was probably a Thracian slave, born in Pydna of Macedonia (Roman province) and lived in the reigns of Augustus, Tiberius, Caligula and Claudius. He is recognized as the first writer to Latinize entire books of fables, retelling in iambic metre the Greek prose Aesopic tales. According to his own statement (prologue to book III), he was born on the Pierian Mountain in Macedonia, but he seems to have been brought to Italy at an early age, since he mentions reading a verse of Ennius as a boy in school. According to the heading of the chief manuscript he was a slave and was freed by Augustus. He incurred the wrath of Sejanus, the powerful minister of Tiberius, by some supposed allusions in his fables, and was brought to trial and punished. We learn this from the prologue to the third book, which is dedicated to Eutychus, who has been identified with the famous charioteer and favorite of Gaius. The fourth book is dedicated to Particulo, who seems to have dabbled in literature. The dates of their publication are unknown, but Seneca, writing between AD 41 and 43, knows nothing of Phaedrus, and it is probable that he had not yet published anything. His writing introduces a mannerist style, rendered in iambic trimeters, to the fables attributed to "Aesop", popular with his contemporaries. The verses are interspersed with anecdotes drawn from daily life, history and mythology. His use of Latin is typified by a particular use of abstract concepts that belies an awareness of the literary canon, especially Augustan works. Phaedrus draws comparisons with Babrius, and directly inspired a modern imitator, La Fontaine. He is mentioned by Martial, who imitated some of his verses, and by Avianus; Prudentius must have read him, for he imitates one of his lines. The first edition of the five books of Phaedrus was published by Pithou at Troyes in 1596 from a manuscript now in the possession of the Marquis of Rosanbo. Near the beginning of the 18th century, a manuscript of Perotti (1430-1480), archbishop of Siponto (Manfredonia, in Apulia), was discovered at Parma containing sixty-four fables of Phaedrus, of which some thirty were previously unknown. These new fables were first published in Naples by Cassitto in 1808, and afterwards (much more correctly) by Jannehli in 1809. Both editions were superseded by the discovery of a much better preserved manuscript of Perotti in the Vatican Library, published by Angelo Mai in 1831. For some time the authenticity of these new fables was disputed, but they are now generally accepted as genuine fables of Phaedrus. They do not form a sixth book, for we know from Avianus that Phaedrus wrote only five books, but it is impossible to assign them to their original places in the five books. They are usually printed as an appendix. In the Middle Ages Phaedrus exercised a considerable influence through the prose and verse versions of his fables, which were current, even though his own works (and even his name) were apparently forgotten. Of the prose versions, the oldest existing one seems to be that known as the Anonymus Nilanti, so called because it was first edited by Nilant at Leiden in 1709 from a manuscript of the 13th century. It follows the text of Phaedrus so closely that it was probably made directly from it. Of the sixty-seven fables which it contains, thirty are derived from lost fables of Phaedrus. The largest, oldest known and most influential of the prose versions of Phaedrus is that which bears the name of Romulus. It contains eighty-three fables, is as old as the 10th century, and seems to have been based on a still earlier prose version, which, under the name of "Aesop," and addressed to one Rufus, may have been made in the Carolingian period or even earlier. About this Romulus nothing is known. The collection of fables in the Weissenburg (now Wolfenbüttel) manuscript is based on the same version as Romulus. These three prose versions contain in all one hundred distinct fables, of which fifty-six are derived from the existing fables and the remaining forty-four presumably from lost fables of Phaedrus. Some scholars, as Burmann, Dressier and L Muller, have tried to restore these lost fables by versifying the prose versions. The prose Romulus collection became the source from which, during the second half of the Middle Ages, almost all the collections of Latin fables in prose and verse were wholly or partially drawn. A version of the first three books of Romulus in elegiac verse, possibly made in around the 12th century, was one of the most highly influential texts in medieval Europe. Referred to variously (among other titles) as the verse Romulus or elegiac Romulus, it was a common teaching text for Latin and enjoyed a wide popularity well into the Renaissance. Its unknown author is usually referred to as "Anonynius Neveleti", although "he" has sometimes been identified with known figures such as Gualterus Anglicus. Another version of Romulus in Latin elegiacs was made by Alexander Neckam, born at St Albans in 1157. Interpretive vernacular "translations" of the elegiac Romulus were very common in Europe in the Middle Ages. Among the collections partly derived from it, one of the most well-known is probably that in French verse by Marie de France. A collection of fables in Latin prose based partly on Romulus and given a strong medieval and clerical tinge was made c.1200 by the Cistercian monk Odo of Cheriton. In 1370 Gerard of Minden wrote a poetical version of Romulus in Middle Low German. However, the most developed poetic derivation from the elegiac Romulus text, combined with other genres, was made in Dunfermline in the late 15th century by Robert Henryson. His version, composed in Middle Scots, is the only surviving example known to have made high art of the genre. Since Pithou's edition in 1596 Phaedrus has been often edited and translated; among the editions may be mentioned those of Burmann (1718 and 1727), Richard Bentley (1726), Schwabe (1806), Berger de Xivrey (1830), Johann Caspar von Orelli (1832), Franz Eyssenhardt (1867), L. Müller (1877), Rica (1885), and above all that of Louis Havet (Paris, 1895).

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End Time: 2024-11-19T18:48:43.000Z

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