Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great OPERA Records from early G&Ts to World War II recordings on 78 rpm Victrola RecordsClick this link for more great Opera and Vocal Records in my other listings!Click this link for more great Vinyl and Test Pressings by IRCC, RCA Heritage, Historic Masters Click this link for more great Classical and Popular V DISCs in my other listings! Great italian Baritone MARIO ANCONA made only 20 recordings for VictorHere from his very first recording session in 190715-1002 Mario Ancona Faust-Dio possenteMario Ancona (vocalist : baritone vocal) 2/27/1907 Philadelphia, Pennsylvania15-1002 Mario Ancona The Masked Ball-Eri tu che macchiavi quell' animaMario Ancona (vocalist : baritone vocal) 4/3/1907 Philadelphia, PennsylvaniaSuperb DIRECT PRESSING FROM ORIGINAL MASTER RCA HERITAGE SERIES Red Vinyl GOLD Label 12" 78 rpm record Condition: EXCELLENT close to PRISTINE faint scuffs, , slight dull spot on DIO causes faint ticksPlays EXCEPTIONALLY QUIET rare ticksA SUPERB COPY Mario Ancona Mario Ancona (February 28, 1860 – February 23, 1931), was a leading Italian baritone and master of bel canto singing. He appeared at some of the most important opera houses in Europe and America during what is commonly referred to as the "Golden Age of Opera". CareerAncona was born into a middle-class Jewish family at Livorno, Tuscany, on February 28, 1860. After embarking on a business career he decided to study voice with a local singing teacher named Matteini in his native city of Livorno. Later, he took lessons from Giuseppe Cima in Milan. Ancona is reputed to have made his debut as an amateur singer as far back as 1880; but according to The Concise Oxford Dictionary of Opera—from which many of the ensuing appearance dates, venues and career highlights are taken—his earliest known professional appearance in an opera did not occur until 1889, when he sang the role of Scindia in Massenet's Le roi de Lahore in Trieste. Not long afterwards, he appeared in another Massenet opera, Le Cid, at Italy's principal theatre—La Scala, Milan. His arrival at La Scala so soon after his debut reflects the excellence of the technical grounding that he must have received as an amateur performer. On May 21, 1892, Ancona was asked to create the part of Silvio in the first performance of Leoncavallo's Pagliacci, which took place at Milan's Teatro Dal Verme with Arturo Toscanini conducting. The next year, he appeared in the first London performance of Pagliacci at the Royal Opera House, Covent Garden. On this occasion, however, he sang the role of Tonio. (Soprano Nellie Melba and tenor Fernando De Lucia were also in the high-quality cast.) Ancona would appear regularly at Covent Garden until 1901, being held in high esteem by London audiences. He also sang as a guest artist in Cairo, Lisbon, Madrid, Warsaw, Moscow, St. Petersburg, Chicago, Boston and Buenos Aires. The New York Metropolitan Opera first engaged him in 1893. He sang successfully at the Met until 1897, when he went back to Europe. In 1906-1908, he returned to New York—this time to join the Manhattan Opera Company, where he was paid a generous fee. He became a special favourite of this company, which had been established by Oscar Hammerstein I in direct rivalry to the Met. His suave interpretation of Mozart's Don Giovanni was singled out for particular praise by newspaper reviewers and the Manhattan's audiences. Ancona sang in Paris in 1908, and again in 1914, at the Sarah Bernhardt theatre, where he was complimented by Bernhardt in person for his impressive singing. The illustrious French actress was not alone in her admiration for Ancona's vocal artistry. Music critics on both sides of the Atlantic commended Ancona on his elegant singing style and beautiful voice, with its easy top register and open-throated emission of homogenous tone. Indeed, the great tenor Jean de Reszke called him the best-schooled Italian baritone of his era. His histrionic skills were less developed however, and he was not considered to be an especially imaginative or exciting interpretive artist. Physically, he was said to resemble King Edward VII of England because of his pointed beard and ample waistline. The fact that Ancona was able to establish himself as a major singer in the face of intense competition from a host of other first-class baritones is a testament to his sheer quality as a vocalist. His main Italian rivals in the period between his debut in 1889 and the outbreak of World War I were: Mattia Battistini, Antonio Scotti, Giuseppe Pacini, Antonio Magini-Coletti, Giuseppe Campanari and Giuseppe Kaschmann (born Josip Kasman)—and, from a younger generation of verismo opera-influenced baritones, Titta Ruffo, Riccardo Stracciari, Pasquale Amato, Giuseppe De Luca, Eugenio Giraldoni, Mario Sammarco, Domenico Viglione-Borghesi and the promising newcomer Carlo Galeffi. [edit] RepertoireAccording to the critic Michael Scott, author of The Record of Singing, Ancona's smooth, fluent and refined method of singing pre-dated the verismo movement. His style and technique were particularly well suited to the operas of Verdi, and to the bel canto works composed by Bellini and Donizetti (such as I Puritani, Lucia di Lammermoor and La favorite). Ancona's repertoire of Verdi parts included Germont, Di Luna, Rigoletto, Amonasro and Iago, as well as Don Carlos in Ernani. Ancona also undertook roles composed by Leoncavallo (Silvio and Tonio), Puccini (Lescaut and Marcello), Mascagni (Alfio and David in L'amico Fritz), Giordano (Gerard in Andrea Chénier), Mozart (Don Giovanni and Figaro) and Wagner (Wolfram, Telramund and even, on occasion, Hans Sachs). He appeared, too, in French operas written by Meyerbeer, Gounod, Bizet and, as we have seen, Massenet, performing such parts as Nevers, Hoël, Scindia, Escamillo, Zurga and Valentin. [edit] Retirement, death and recorded legacyAncona was still in good vocal shape when he elected to retire from the stage in 1916. World War One was then reaching its height in Europe, and Ancona was singing with the Chicago opera company at the time. In retirement, he devoted himself to teaching. He died of lung cancer in Florence, Italy, on February 23, 1931. An extensive collection of documents, photographs and other items relating to Ancona's career is preserved at Stanford University's Archive of Recorded Sound in California. Fortunately, however, Ancona's thoroughbred voice lives on in a series of gramophone recordings which he made during the first decade of the 20th century for Pathé in 1905-06 and, more rewardingly, for the Victor Talking Machine Company in 1907-08. Twenty of his Victor recordings are now available on CD transfers (see below). They consist of several songs as well as operatic arias and duets by Verdi, Bellini, Donizetti, Meyerbeer, Gounod, Bizet, Leoncavallo and Giordano. More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution
Price: 14.99 USD
Location: San Francisco, California
End Time: 2024-11-23T18:13:33.000Z
Shipping Cost: 7.49 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, MARIO ANCONA
Format: Record
Material: Shellac
Type: Single
Genre: Classical, Opera
Record Label: RCA Victor
Record Size: 12"
Style: A Capella, Aria, Ars Nova, Ballad, Barcarolle, Canon, Cantata, Canzona, Chorale, Duet, Eastern European Music, Elegy, Film Score/Soundtrack, France & Belgium, French Music & Chansons, German music, Germany & Austria, Italian Music, Lied, Lullaby, Madrigal, Mass, Motet, Musical/Original Cast, Oratorio, Requiem, Russian Music, Spanish Music, Traditional & Vocal, Vocal
Speed: 78 RPM
Release Title: FAUST Dio Possente BALLO IN MASCHERA Eri Tu
Language: English, French, German, Italian
Catalog Number: 15-1002
Sub-Genre: Opera
