Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great OPERA Records from early G&Ts to World War II recordings on 78 rpm Victrola RecordsClick this link for more great Opera and Vocal Records in my other listings! Great record of the famous Choir by the PAULIST FATHERS of ChicagoFr. Finn, a Bostonian native, founded the Paulist Choristers at Old St. Mary’s in Chicago, and later the Paulist Choristers at St. Paul the Apostle, NYC. His choirs were considered legendary in their time, and under his direction the Chicago choir won first prize in a Paris competition from among almost 100 choirs, for which Finn was awarded the Palms of the French Academy by the French government. Paulist Choristers Of Chicago – Salve, Regina / Agnus DeiLabel: Columbia – A2466A Salve, ReginaDirected By – William J. FinnB Agnus DeiSponsored videoNotesMale Catholic ChoirPAULIST Choristers of Chicago dir Fr. William Joseph Finn w piano NEW PROCESS Orig Issue blue gold Columbia 10" 78 rpm. CONDITION: EXCELLENT MINUS unworn light rubs , plays very quiet faintest hiss A SUPERB COPY Ferry, composer: Agnus Dei"Salve, Regina" is an anthem by British composer Sydney Peirce WaddingtonSidney Peirce Waddington (also Sidney Peine Waddington , [ note 1 ] * 23 July 1869 in Lincoln ( Lincolnshire ); † 2 June 1953 in Uplyme ( Devon )) was an English composer and music teacher . life and workSidney Peirce Waddington was a student at the Royal College of Music in London . He also studied for a short time in Frankfurt am Main and in Vienna . [ 1 ]From 1894 to 1905 he worked as choir director at St. Mary of the Angels in London ( Bayswater district ). He was also "maestro al pianoforte" at the Covent Garden Opera . From 1905 he worked as a teacher of harmony and counterpoint and as head of the opera class at the Royal College of Music. [ 1 ]Sidney Peirce Waddington composed the children's operetta Whimland , orchestral works, a piano concerto, chamber music, choral works and piano pieces. Fr. Finn and the Catholic Choral Tradition in AmericaLMT Paulist ChoristersT IS PERHAPS EASY to dismiss the Catholic choral tradition in America as being an inferior art to its elder European counterpart. We certainly don’t have as great a quantity of English choir schools or French monasteries. Nevertheless, we have had, and quite frankly still have, a number of fine choirs, conductors and organists that I would place on par and even above our European brethren. One such name that behooves mentions is that of Fr. William Joseph Finn of the Paulist Fathers.Fr. Finn, a Bostonian native, founded the Paulist Choristers at Old St. Mary’s in Chicago, and later the Paulist Choristers at St. Paul the Apostle, NYC. His choirs were considered legendary in their time, and under his direction the Chicago choir won first prize in a Paris competition from among almost 100 choirs, for which Finn was awarded the Palms of the French Academy by the French government. His choirs often sang on radio and toured the country and western world at a time when this was almost unheard of. Sometime after Fr. Finn left Chicago for New York, one of his former choristers and by then brother priests, Fr. O’Malley, took over the reigns of the Paulist Choristers at Old St. Mary’s and conducted them masterfully until 1967. Some have wondered if this formed the story line of the film The Bells of St. Mary’s. Hearing loss forced Finn to give up the Paulist Choristers in the 1940s, but his influence continued through the numerous books he wrote on music through the years. Quite possibly his great work, The Art of the Choral Conductor is worth a doctoral education on the art of choral training, and the amount of ink he gives to the blending of individual lines and to blending of the choir as a whole is eye (and ear) opening. His later chapter on sight-singing is perhaps the most succinct explanation I have ever read on the process of teaching this art to choristers. Then again, if you prefer something rather more light hearted, his autobiography, The Flats and Sharps of Five Decades, is a delightful read. My one disappointment after having digested it is that I found very few extant recordings of his choirs. In the book he took such pot shots at world famous ensembles, going so far as to accuse the Westminster Cathedral Choir of always singing flat, that his own choral institutions must have been, or at least should have been, almost other worldly. Another early work is one he co-authored while still a seminarian: * * PDF Download • Manual of Church Music (1905) — 172 pagesThis book is every bit as foundational and even more in depth than Sir Richard Terry’s Church Music, but has largely been forgotten. It contains a wonderful apologia for the use of men and boys voices within the liturgy, linking it back to levitical priesthood. Of course, this would largely fall on deaf ears today, but one can sense the excitement at the time and the feeling that following Pius X’s motu proprio Church Music had at long last been pointed in the right direction and that days of glory were ahead. In many ways the early liturgical movement was a beautiful time in the life of the Church. 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Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution
Price: 16.99 USD
Location: San Francisco, California
End Time: 2024-11-09T00:31:34.000Z
Shipping Cost: 7.49 USD
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Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, PAULIST CHORISTERS of CHICAGO, PAULIST CHORISTERS, Father Finn, William Joseph Finn
Release Title: SALVE REGINA/ Agnus Dei
Catalog Number: A2466, A 2466, A-2466
Genre: Classical, Contemporary Christian, Gospel, Hymns & Marches, Opera
Speed: 78 RPM
Record Size: 10"
Language: English, French, German, Italian, Latin
Style: Aria, Ars Nova, Ballata, Cantata, Canzona, Chanson, Chorale, Christian, Elegy, Film Score/Soundtrack, Gregorian Chant, Laude, Lied, Lullaby, Madrigal, Mass, Motet, Music Hall, Musical/Original Cast, Oratorio, Radio Play/Show, Schlager, Serenade, Traditional/Vocal, Vocal, Anthem, Christmas, Opera, TV Score/Soundtrack
Format: Record
Material: Shellac
Record Label: Columbia