Description: 1939 AL CAPP LI'L ABNER CARTOON HILLBILLY DOGPATCH ADVICE CHILDREN COMIC 33724 DATE OF THIS ** ORIGINAL ** ITEM: 1939THIS ITEM IS A ONE-PAGE PRINT FROM AN ORIGINAL PERIODICAL. THERE IS ONE PHOTO, SO PLEASE LOOK OVER CAREFULLY FOR SIZE AND CONDITION! NOTE: SOME PHOTOS MAY HAVE A BLACK BOX COVERING UP THE NAME OF THE PERIODICAL - IT IS ONLY LAYING ON TOP OF THE ITEM - NOT PERMANENT. ILLUSTRATOR / ARTIST: Alfred Gerald Caplin (September 28, 1909 – November 5, 1979), better known as Al Capp, was an American cartoonist and humorist best known for the satirical comic strip Li'l Abner, which he created in 1934 and continued writing and (with help from assistants) drawing until 1977. He also wrote the comic strips Abbie an' Slats (in the years 1937–45) and Long Sam (1954). He won the National Cartoonists Society's Reuben Award in 1947 for Cartoonist of the Year, and their 1979 Elzie Segar Award, posthumously for his "unique and outstanding contribution to the profession of cartooning". Capp's comic strips dealt with urban experiences in the Northern United States until the year he introduced "Li'l Abner". Although Capp was from Connecticut, he spent 43 years writing about the fictional Southern town of Dogpatch, reaching an estimated 60 million readers in more than 900 American newspapers and 100 more papers in 28 countries internationally. M. Thomas Inge says Capp made a large personal fortune through the strip and "had a profound influence on the way the world viewed the American South". Capp was born in New Haven, Connecticut, of East European Jewish heritage. He was the eldest child of Otto Philip Caplin (1885–1964) and Matilda (Davidson) Caplin (1884–1948). His brothers, Elliot and Jerome, were cartoonists, and his sister, Madeline, was a publicist. Capp's parents were both natives of Latvia whose families had migrated to New Haven in the 1880s. "My mother and father had been brought to this country from Russia when they were infants", wrote Capp in 1978. "Their fathers had found that the great promise of America was true – it was no crime to be a Jew." The Caplins were dirt-poor, and Capp later recalled stories of his mother going out in the night to sift through ash barrels for reusable bits of coal. In August 1919, at the age of nine, Capp was run down by a trolley car and had his left leg amputated above the knee. According to his father Otto's unpublished autobiography, young Capp was not prepared for the amputation beforehand; having been in a coma for days, he suddenly awoke to discover that his leg had been removed. He was eventually given a prosthetic leg, but only learned to use it by adopting a slow way of walking which became increasingly painful as he grew older. The childhood tragedy of losing a leg likely helped shape Capp's cynical worldview, which was darker and more sardonic than that of the average newspaper cartoonist. "I was indignant as hell about that leg," he revealed in a November 1950 interview in Time magazine. "The secret of how to live without resentment or embarrassment in a world in which I was different from everyone else", Capp philosophically wrote (in Life magazine on May 23, 1960), "was to be indifferent to that difference." The prevailing opinion among his friends was that Capp's Swiftian satire was, to some degree, a creatively channeled, compensatory response to his disability. Capp's father, a failed businessman and an amateur cartoonist, introduced him to drawing as a form of therapy. He became quite proficient, advancing mostly on his own. Among his earliest influences were Punch cartoonist–illustrator Phil May and American comic strip cartoonists Tad Dorgan, Cliff Sterrett, Rube Goldberg, Rudolph Dirks, Fred Opper, Billy DeBeck, George McManus, and Milt Gross. At about this same time, Capp became a voracious reader. According to Capp's brother Elliot, Alfred had finished all of Shakespeare and George Bernard Shaw by the time he turned 13. Among his childhood favorites were Dickens, Smollett, Mark Twain, Booth Tarkington, and later, Robert Benchley and S. J. Perelman. Capp spent five years at Bridgeport High School in Bridgeport, Connecticut, without receiving a diploma. He liked to joke about how he failed geometry for nine straight terms. His formal training came from a series of art schools in the New England area. Attending three of them in rapid succession, the impoverished Capp was thrown out of each for nonpayment of tuition—the Boston Museum School of Fine Arts, the Pennsylvania Academy of the Fine Arts, and Designers Art School in Boston—the last before launching his career. Capp already had decided to become a cartoonist. "I heard that Bud Fisher (creator of Mutt and Jeff) got $3,000 a week and was constantly marrying French countesses", Capp said. "I decided that was for me." In early 1932, Capp hitchhiked to New York City. He lived in "airless rat holes" in Greenwich Village and turned out advertising strips at $2 each while scouring the city hunting for jobs. He eventually found work at the Associated Press when he was 23 years old. By March 1932, Capp was drawing Colonel Gilfeather, a single-panel, AP-owned property created in 1930 by Dick Dorgan. Capp changed the focus and title to Mister Gilfeather but soon grew to hate the feature. He left the Associated Press in September 1932. Before leaving, he met Milton Caniff and the two became lifelong friends. Capp moved to Boston and married Catherine Wingate Cameron, whom he had met earlier in art class. She died in 2006 at the age of 96. Leaving his new wife with her parents in Amesbury, Massachusetts, he subsequently returned to New York in 1933, in the midst of the Great Depression. "I was 23, I carried a mass of drawings, and I had nearly five dollars in my pocket. People were sleeping in alleys then, willing to work at anything." There he met Ham Fisher, who hired him to ghost on Joe Palooka. During one of Fisher's extended vacations, Capp's Joe Palooka story arc introduced a stupid, coarse, oafish mountaineer named "Big Leviticus", a crude prototype. (Leviticus was much closer to Capp's later villains Lem and Luke Scragg than to the much more appealing and innocent Li'l Abner.) Also during this period, Capp was working at night on samples for the strip that eventually became Li'l Abner. He based his cast of characters on the authentic mountain-dwellers he met while hitchhiking through rural West Virginia and the Cumberland Valley as a teenager. (This was years before the Tennessee Valley Authority Act brought basic utilities such as electricity and running water to the region.) Leaving Joe Palooka, Capp sold Li'l Abner to United Feature Syndicate (later known as United Media). The feature was launched on Monday, August 13, 1934, in eight North American newspapers—including the New York Mirror—and was an immediate success. Alfred G. Caplin eventually became "Al Capp" because the syndicate felt the original would not fit in a cartoon frame.[11] Capp had his name changed legally in 1949. His younger brother, Elliot Caplin, also became a comic strip writer, best known for co-creating the soap opera strip The Heart of Juliet Jones with artist Stan Drake and conceiving the comic strip character Broom-Hilda with cartoonist Russell Myers. Elliot also authored several off-Broadway plays, including A Nickel for Picasso (1981), which was based on and dedicated to his mother and his famous brother. What began as a hillbilly burlesque soon evolved into one of the most imaginative, popular, and well-drawn strips of the twentieth century. Featuring vividly outlandish characters, bizarre situations, and equal parts suspense, slapstick, irony, satire, black humor, and biting social commentary, Li'l Abner is considered a classic of the genre. The comic strip stars Li'l Abner Yokum—the simple-minded, loutish but good-natured, and eternally innocent hayseed who lives with his parents—scrawny but superhuman Mammy Yokum, and shiftless, childlike Pappy Yokum. "Yokum" was a combination of yokel and hokum, although Capp established a deeper meaning for the name during a series of visits around 1965–1970 with comics historians George E. Turner and Michael H. Price: It's phonetic Hebrew—that's what it is, all right—and that's what I was getting at with the name Yokum, more so than any attempt to sound hickish. That was a fortunate coincidence, of course, that the name should pack a backwoods connotation. But it's a godly conceit, really, playing off a godly name—Joachim means 'God's determination', something like that—that also happens to have a rustic ring to it. The Yokums live in the backwater hamlet of Dogpatch, Kentucky. Described by its creator as "an average stone-age community", Dogpatch mostly consists of hopelessly ramshackle log cabins, pine trees, "tarnip" fields, and "hawg" wallows. Whatever energy Abner had went into evading the marital goals of Daisy Mae Scragg, his sexy, well-endowed, but virtuous girlfriend, until Capp finally gave in to reader pressure and allowed the couple to marry. This newsworthy event made the cover of Life on March 31, 1952. Capp peopled his comic strip with an assortment of memorable characters, including Marryin' Sam, Hairless Joe, Lonesome Polecat, Evil-Eye Fleegle, General Bullmoose, Lena the Hyena, Senator Jack S. Phogbound (Capp's caricature of the anti-New Deal Dixiecrats), the (shudder!) Scraggs, Available Jones, Nightmare Alice, Earthquake McGoon, and a host of others. Especially notable, certainly from a G.I. point of view, are the beautiful, full-figured women such as Daisy Mae, Wolf Gal, Stupefyin' Jones, and Moonbeam McSwine (a caricature of his wife Catherine, aside from the dirt), all of whom found their way onto the painted noses of bomber planes during World War II and the Korean War. Perhaps Capp's most popular creations were the Shmoos, creatures whose incredible usefulness and generous nature made them a threat to civilization as we know it. Another famous character was Joe Btfsplk, who wants to be a loving friend but is "the world's worst jinx", bringing bad luck to all those nearby. Btfsplk (his name is "pronounced" by simply blowing a "raspberry" or Bronx cheer) always has an iconic dark cloud over his head. Dogpatch residents regularly combat the likes of city slickers, business tycoons, government officials, and intellectuals with their homespun simplicity. Situations often take the characters to other destinations, including New York City, Washington, D.C., Hollywood, tropical islands, the moon, Mars, and some purely fanciful worlds of Capp's invention, including El Passionato, Kigmyland, The Republic of Crumbumbo, Skunk Hollow, The Valley of the Shmoon, Planets Pincus Number 2 and 7, and a miserable frozen wasteland known as Lower Slobbovia, a pointedly political satire of backward nations and foreign diplomacy that remains a contemporary reference. According to cultural historian Anthony Harkins: Indeed, Li'l Abner incorporates such a panoply of characters and ideas that it defies summary. Yet though Capp's storylines often wandered far afield, his hillbilly setting remained a central touchstone, serving both as a microcosm and a distorting carnival mirror of broader American society. The strip's popularity grew from an original eight papers to eventually more than 900. At its peak, Li'l Abner was estimated to have been read daily in the United States by 60 to 70 million people (the U.S. population at the time was only 180 million), with adult readers far outnumbering children. Many communities, high schools, and colleges staged Sadie Hawkins dances patterned after the similar annual event in the strip. Li'l Abner has one odd design quirk that has puzzled readers for decades: the part in his hair always faces the viewer, no matter which direction Abner is facing. In response to the question "Which side does Abner part his hair on?", Capp would answer: "Both." Capp said he finally found the right "look" for Li'l Abner with Henry Fonda's character Dave Tolliver in The Trail of the Lonesome Pine (1936). In later years, Capp always claimed to have effectively created the miniskirt, when he first put one on Daisy Mae in the 1930s. OTHER INFO OF CONCERN FOR THIS LISTING - SPECIAL CHARACTERISTICS AND DESCRIPTIVE WORDS: Li'l Abner was a satirical American comic strip that appeared in multiple newspapers in the United States, Canada, and Europe. It featured a fictional clan of hillbillies living in the impoverished fictional mountain village of Dogpatch, USA. Written and illustrated by Al Capp (1909–1979), the strip ran for 43 years, from August 13, 1934, through November 13, 1977. The Sunday page debuted on February 24, 1935, six months after the daily. It was originally distributed by United Feature Syndicate and later by the Chicago Tribune New York News Syndicate. Before Capp introduced Li'l Abner, his comic strips typically dealt with northern urban American experiences. However, Li'l Abner was his first strip based in the Southern United States. The comic strip had 60 million readers in over 900 American newspapers and 100 foreign papers across 28 countries. Li'l Abner Yokum: Abner is portrayed as a simple-minded, gullible, and sweet-natured country bumpkin. He is 6 feet 3 inches (1.91 m) tall and perpetually 19 years old. He lives in a ramshackle log cabin with his parents. Capp derived the surname "Yokum" as a combination of "yokel" and "hokum". Abner represents the archetype of a Candide — a paragon of innocence in a sardonically dark and cynical world. Abner ha consistent profession but was a "crescent cutter" for the Little Wonder Privy Company and later a "mattress tester" for the Stunned Ox Mattress Company. In one post-World War II storyline, Abner became a US Air Force bodyguard of Steve Cantor (a parody of Steve Canyon) against the evil bald female spy Jewell Brynner (a parody of actor Yul Brynner).[8] Early in the strip's history, Abner's primary goal was evading the marital designs of Daisy Mae Scragg, the virtuous, voluptuous, barefoot scion of the Yokums' blood feud enemies: the bloodthirsty Scraggs. When Capp finally gave in to reader pressure after 18 years and allowed the couple to tie the knot, it was a major media event, even making the cover of Life magazine on March 31, 1952 — with an article titled "It's Hideously True!! The Creator of Li'l Abner Tells Why His Hero Is (SOB!) Wed!!" Daisy Mae Yokum (née Scragg): Daisy Mae is hopelessly in love with Abner throughout the entire 43-year run of the comic strip. During most of the run, the dense Abner exhibited little romantic interest in her. She is curvaceous and sports a famous polka dot peasant blouse and cropped skirt). In 1952, Abner reluctantly proposes to Daisy to emulate the engagement of his comic strip ideal, Fearless Fosdick. Fosdick's wedding to longtime fiancée Prudence Pimpleton turns out to be a dream — but Abner and Daisy's ceremony, performed by Marryin' Sam, is binding. Abner and Daisy Mae's nuptials were a major source of media attention, landing them on the aforementioned cover of Life magazine's March 31, 1952, issue. Once married, Abner becomes relatively domesticated. Like Mammy Yokum and the other women in Dogpatch, Daisy Mae does all the work, domestic and otherwise — while the men generally do nothing whatsoever. Mammy Yokum: Born Pansy Hunks, Mammy, Abner's mother, is the scrawny, highly principled society leader and bare-knuckle champion of the town of Dogpatch. She married Pappy Yokum in 1902; they produced two sons twice their own size. Mammy dominates the Yokum clan through the force of her personality and dominates everyone else with her fearsome right uppercut (sometimes known as her "Goodnight, Irene" punch), which helps her uphold law, order and decency. She is consistently the toughest character throughout Li'l Abner. Mammy does all the household chores and provides her charges with no fewer than eight meals a day of pork chops and turnips (as well as local Dogpatch delicacies like "candied catfish eyeballs" and "trashbean soup"). Her authority is unquestioned, and her characteristic phrase, "Ah has spoken!", signaled the end of all discussion. Her most familiar phrase, however, is "Good is better than evil becuz it's nicer!" Upon his retirement in 1977, Capp declared Mammy to be his personal favorite of all his characters. She is the only character capable of defeating Abner in hand-to-hand combat. Pappy Yokum: Born Lucifer Ornamental Yokum, Pappy is the patriarch of a family. Pappy is so lazy and ineffectual he doesn't even bathe himself. Mammy is regularly seen scrubbing Pappy in an outdoor oak tub ("Once a month, rain or shine"). Ironing Pappy's trousers falls under her purview as well, although she doesn't bother to wait for Pappy to remove them first. Pappy is dull-witted and gullible (in one story he is conned by Marryin' Sam into buying vanishing cream because he thinks it makes him invisible and he picks a fight with his nemesis Earthquake McGoon), but not completely without guile. He had a predilection for snitching "preserved turnips" and smoking corn silk behind the woodshed — Mammy catches him doing so, much to his chagrin. After his lower wisdom teeth grow so long that they squeeze his cerebral Goodness Gland and emerge as forehead horns, he proves himself capable of evil. Mammy solves the problem with a tooth extraction. Honest Abe Yokum: Li'l Abner and Daisy Mae's son is born in 1953 "after a pregnancy that ambled on so long that readers began sending me medical books", wrote Capp. Initially known as "Mysterious Yokum" (there was even an Ideal doll marketed under this name) due to a debate regarding his gender (he is stuck in a pants-shaped stovepipe for the first six weeks), he is renamed "Honest Abe" (after President Abraham Lincoln) to thwart his early tendency to steal. His first words are "po'k chop", and they remain his favorite food. Though his uncle Tiny is perpetually frozen at 151/2 years old, Honest Abe gradually grows from infant to grade school age and looks very much like Washable Jones — the star of Capp's early "topper" strip. He eventually acquires a couple of supporting character friends for his own semi-regularly featured adventures in the strip. In one story, he lives up to his nickname when there is a nationwide search for a pair of socks sewn by Betsy Ross; after finding that his father is their current owner and is preparing to trade them for the reward (a handshake from the President of the United States), Abe confesses that they are not his to give. Tiny Yokum: "Tiny" is an ironic misnomer; Li'l Abner's kid brother remains perpetually innocent and 151/2 years old — despite being 7-foot (2.1 m) tall. Tiny is unmentioned in the strip until September 1954, when a relative who has been raising him reminds Mammy that she'd given birth to a second child while visiting her 15 years earlier. (The relative explains that she would have dropped him off sooner, but waited until she happened to be in the neighborhood.) Capp introduced Tiny to fill the bachelor role played for nearly two decades by Li'l Abner, until his 1952 marriage threw the dynamic of the strip out of whack for a period. Pursued by local lovelies Hopeful Mudd and Boyless Bailey, Tiny is even dumber and more awkward than Abner. Tiny initially sports a bulbous nose like both of his parents, but eventually, (through a plot contrivance) he is given a nose job, and his shaggy blond hair is buzz cut to make him more appealing. Salomey: The Yokums' beloved pet pig. Her moniker is a pun on salami and Salome. Cute, lovable and intelligent (arguably smarter than Abner, Tiny or Pappy), she is accepted as part of the family ("the youngest", as Mammy introduces her). She is 100% "Hammus Alabammus" — a fictional species of pig, and the last female known in existence. A plump, juicy Hammus Alabammus is the rarest and most vital ingredient of "ecstasy sauce", an indescribably delicious gourmet delicacy. Consequently, Salomey is frequently targeted by unscrupulous sportsmen, hog breeders and gourmands (like J.R. Fangsley and Bounder J. Roundheels), as well as wild boars (such as Boar Scarloff and Porknoy). 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