20-2, 018-10, 1880s, Cabinet Card, British Grenadier Guard Officer in Studio

Description: 20-2, 018-10, 1880s, Cabinet Card, British Grenadier Guard Officer in Studio Click images to enlarge Description You are bidding on an original Antique 1880's Cabinet Card Photograph, British Grenadier Guard Officer in Studio, next to a desk with pens and letter scale, about 50 years old. To see all of my "Cabinet Cards" click here. More Info: The Grenadier Guards is the most senior infantry regiment of the British Army, being at the top of the Infantry Order of Precedence. It can trace its lineage back to 1656 when Lord Wentworth's Regiment was raised in Bruges to protect the exiled Charles II. In 1665, this regiment was combined with John Russell's Regiment of Guards to form the current regiment, known as the 1st Regiment of Foot Guards. Since then, the regiment has filled both a ceremonial and protective role as well as an operational one. In 1900, the regiment provided a cadre of personnel to form the Irish Guards; while later, in 1915 it also provided the basis of the Welsh Guards upon their formation. The Grenadier Guards trace their lineage back to 1656, when Lord Wentworth's Regiment was raised from gentlemen of the Honourable Artillery Company by the then heir to the throne, Prince Charles (later King Charles II), in Bruges, in the Spanish Netherlands (present-day Belgium), where it formed a part of the exiled King's bodyguard. A few years later, a similar regiment known as John Russell's Regiment of Guards was formed. In 1665, these two regiments were combined to form the 1st Regiment of Foot Guards, consisting of 24 companies of men. Since then the Grenadier Guards have served ten Kings and four Queens, including Queen Elizabeth II. Throughout the 18th century, the regiment took part in a number of campaigns including the War of Spanish Succession, the War of Austrian Succession and the Seven Years' War. At the end of the Napoleonic Wars, the regiment gained the name "Grenadier" in July 1815 following a Royal Proclamation. (ref. Wikipedia) Back has Photographer Information. Photographer: Charles Smith Allen, The Excelsior Studio, Tenby, Wales, United Kingdom More Info: Charles Smith Allen (1831-97), a pioneer photographer in Wales, is renowned as the finest of Tenby's early camera artists. Born in Rugeley, Staffordshire, in 1831, a few surviving paper negatives show that he was recording Tenby in silver towards the end of the 1840s. He set up business in Tenby, buying the old Assembly Rooms and building his 'Excelsior Studios' on to it. This had a fully equipped darkroom as well as a complex system of shutters and blinds which controlled the level of daylight that entered the studio. He often took photographs 'on location', having built himself a portable, horse-drawn darkroom. He also had a shop and studio, 'The Mortimer Studio', in Tredegar House, High Street, dealing in stationery, as well as a studio in Priory Street, Cardigan. Allen photographed all over Wales and this album is one of many produced by him for individual customers - in this case, a family called 'Belfield'. C. S. Allen died in Tenby in 1897. Card size: 4.25" x 6.5". #20-2, 018-10 The Cabinet Card was a style of photograph which was widely used for photographic portraiture after 1870. It consisted of a thin photograph mounted on a card typically measuring 108 by 165 mm (4+1⁄4 by 6+1⁄2 inches). The carte de visite was displaced by the larger cabinet card in the 1880s. In the early 1860s, both types of photographs were essentially the same in process and design. Both were most often albumen prints, the primary difference being the cabinet card was larger and usually included extensive logos and information on the reverse side of the card to advertise the photographer’s services. However, later into its popularity, other types of papers began to replace the albumen process. Despite the similarity, the cabinet card format was initially used for landscape views before it was adopted for portraiture. Some cabinet card images from the 1890s have the appearance of a black-and-white photograph in contrast to the distinctive sepia toning notable in the albumen print process. These photographs have a neutral image tone and were most likely produced on a matte collodion, gelatin or gelatin bromide paper. Sometimes images from this period can be identified by a greenish cast. Gelatin papers were introduced in the 1870s and started gaining acceptance in the 1880s and 1890s as the gelatin bromide papers became popular. Matte collodion was used in the same period. A true black-and-white image on a cabinet card is likely to have been produced in the 1890s or after 1900. The last cabinet cards were produced in the 1920s, even as late as 1924. Owing to the larger image size, the cabinet card steadily increased in popularity during the second half of the 1860s and into the 1870s, replacing the carte de visite as the most popular form of portraiture. The cabinet card was large enough to be easily viewed from across the room when typically displayed on a cabinet, which is probably why they became known as such in the vernacular. However, when the renowned Civil War photographer Mathew Brady first started offering them to his clientele towards the end of 1865, he used the trademark "Imperial Carte-de-Visite." Whatever the name, the popular print format joined the photograph album as a fixture in the late 19th-century Victorian parlor. (ref. Wikipedia) If you have any questions about this item or anything I am auctioning, please let me know. Card Cond: VG-VG/EX (some wear), Please see scans for actual condition. This Cabinet Card would make a great addition to your collection or as a Gift (nice for Framing). 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Price: 89.96 USD

Location: Warsaw, Indiana

End Time: 2025-01-22T01:59:56.000Z

Shipping Cost: 4 USD