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Blood in the Moonlight: Michael Mann and Information Age Cinema

Description: Blood in the Moonlight: Michael Mann and Information Age Cinemaby Mark E. Wildermuth Director and screenwriter Michael Mann is the creative force behind such movies as Last of the Mohicans and Ali. Markedly reticent, Mann prefers that his personal background remain an enigma, but his disparate films contain clear and consistent messages. One of Mann's focuses is on the Information Age. He addresses the nature of modern communication, its use to manipulate and coerce, and the resultant subjugation of truth. The perils inherent in modern technology and communication stand in stark contrast to the power of symbolic and oral exchange, the trusted medium of Mann's protagonists. This critical exploration of the films of Michael Mann examines his recurring focus on the nature of modern communication and information and their effect on the individual and society. Mann's films highlight the struggle to maintain a connection to reality in a world where information is a commodity manipulated and abused by forces that exert increasing control over its content and dissemination. Each chapter examines one of Mann's films--including Manhunter, The Keep, Last of the Mohicans, The Insider and Ali--in which the protagonist longs for a sense of human connection but is pitted against forces that devalue and destroy individuality. Photographs illustrate specific moments from the films. A bibliography and an index are included. MacFarland & Company 2005Paperback211 pages6 x 0.45 x 9 inchesO-7864-2059-6

Price: 30 USD

Location: Las Vegas, Nevada

End Time: 2025-02-06T22:48:12.000Z

Shipping Cost: 4.87 USD

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Blood in the Moonlight: Michael Mann and Information Age CinemaBlood in the Moonlight: Michael Mann and Information Age Cinema

Item Specifics

All returns accepted: ReturnsNotAccepted

Publication Year: 2005

Format: Trade Paperback

Language: English

Book Title: Blood in the Moonlight: Michael Mann and Information Age Cinema

Author: Mark E. Wildermuth

Narrative Type: Nonfiction

Publisher: MacFarland & Company

Topic: Cinema

Number of Pages: 211

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