DVOŘÁK, String Quartets Panocha Quartet [Supraphon] Czech EXCELLENT 3LP box set

Description: Panocha Quartet / Antonín Dvořák ‎– String Quartets / Smyčcove kvartety (Opp. 51, 96, 105, 106) Label: Supraphon ‎– 1111 4381-83 Format: 3 × Vinyl, LP, in Box with booklet about Dvořák (in Czech, English, German and French) Country: Czechoslovakia Released: 1986 Genre: Classical Style: Romantic Tracklist in F major, "American", Op. 96 A1Allegro ma non troppo9:06 A2Lento7:33 A3Molto Vivace3:48 A4Finale. Vivace ma non troppo5:03 in E flat major, Op. 51 B1Allegro ma non troppo10:39 B2Dumka. Andante con moto7:18 B3Romance. Andante con moto6:09 C1Finale Allegro assai7:02 in A flat major, Op 105 C2Adagio ma non troppo. Allegro appassionato7:57 C3Molto Vivace6:23 D1Lento e molto cantabile8:07 D2Allegro non tanto9:49 in G major, Op. 106 E1Allegro moderato9:17 E2Adagio ma non troppo10:49 F1Molto Vivace7:09 F2Andante sostenuto. Allegro con fuoco10:57 Companies, etc. Exported By – Artia Credits 1st Violin – Jiří Panocha 2nd Violin – Pavel Zejfart Composed By – Antonín Dvořák Recording Director – Jaroslav Rybář Recording Engineer – Václav Roubal (tracks: 5-11), Václav Zamazal (tracks: 1-4) Viola – Miroslav Sehnoutka Violoncello – Jaroslav Kulhan Notes Recorded at the Supraphon studio at the House of Artists, Prague, from 6-8 November, 1982 (F Major) and from 17-20 October, 1983 (A flat major), and at the rehersal hall of the Czech Philharmonic Chorus, from 5-8 November, 1984 (C Major) and from 9-14 June, 1985 (E flat major) CZECH TRIPLE VINYL SET IN BOX WITH BOOKLET AND ORIGINAL INNER SLEEVES. BOX: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. BOOKLET AND INNER SLEEVES VERY GOOD+ WITH NO SEAM SPLITS. DISCS: EXCELLENT. NO MARKS OR SCRATCHES. CLEAN LABELS. Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer. On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music. 1. USA BY MEDIA MAIL IS $6.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME 2. INTERNATIONAL BY EBAY

Price: 19.99 USD

Location: Athens, Georgia

End Time: 2024-12-07T18:03:38.000Z

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