GAME OF THRONES - ROXANNE McKEE - Doreah - Hand-Signed Autograph Card

Description: GAME OF THRONES - ROXANNE McKEE, Doreah - Personally Signed Autograph Card - Rittenhouse Archives 2019. Game of Thrones is an American fantasy drama television series created by David Benioff and D. B. Weiss. It is an adaptation of A Song of Ice and Fire, George R. R. Martin's series of fantasy novels, the first of which is A Game of Thrones. It is filmed at Titanic Studios in Belfast, on location in the United Kingdom, and in Canada, Croatia, Iceland, Malta, Morocco, Spain, and the United States. The series premiered on HBO in the United States on April 17, 2011, and its sixth season ended on June 26, 2016. The series was renewed for a seventh season, which is scheduled to premiere on July 16, 2017, and will conclude with its eighth season in 2018. Set on the fictional continents of Westeros and Essos, Game of Thrones has several plot lines and a large ensemble cast. The first story arc follows a dynastic conflict among competing claimants for succession to the Iron Throne of the Seven Kingdoms, with other noble families fighting for independence from the throne. The second covers attempts to reclaim the throne by the exiled last scion of the realm's deposed ruling dynasty; the third chronicles the threat of the impending winter and the legendary creatures and fierce peoples of the North. Game of Thrones has attracted record viewership on HBO and has a broad, active, international fan base. It has been acclaimed by critics, particularly for its acting, complex characters, story, scope, and production values, although its frequent use of nudity and violence (including sexual violence) has attracted criticism. The series has received 38 Primetime Emmy Awards, including Outstanding Drama Series in 2015 and 2016, more than any other primetime scripted television series. Its other awards and nominations include three Hugo Awards for Best Dramatic Presentation (2012–2014), a 2011 Peabody Award, and four nominations for the Golden Globe Award for Best Television Series – Drama (2012 and 2015–2017). Of the ensemble cast, Peter Dinklage has won two Primetime Emmy Awards for Outstanding Supporting Actor in a Drama Series (2011 and 2015) and the Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film (2012) for his performance as Tyrion Lannister. Lena Headey, Emilia Clarke, Kit Harington, Maisie Williams, Diana Rigg, and Max von Sydow have also received Primetime Emmy Award nominations for their performances in the series. Game of Thrones is roughly based on the storylines of A Song of Ice and Fire, set in the fictional Seven Kingdoms of Westeros and the continent of Essos. The series chronicles the violent dynastic struggles among the realm's noble families for the Iron Throne, while other families fight for independence from it. It opens with additional threats in the icy North and Essos in the east. Showrunner David Benioff jokingly suggested "The Sopranos in Middle-earth" as Game of Thrones' tagline, referring to its intrigue-filled plot and dark tone in a fantasy setting of magic and dragons. In a 2012 study of deaths per episode, it ranked second out of 40 recent U.S. TV drama series (with an average of 14) Themes The series is generally praised for what is perceived as a sort of medieval realism. George R.R. Martin set out to make the story feel more like historical fiction than contemporary fantasy, with less emphasis on magic and sorcery and more on battles, political intrigue, and the characters, believing that magic should be used moderately in the epic fantasy genre. Benioff said, "George brought a measure of harsh realism to high fantasy. He introduced gray tones into a black-and-white universe." A common theme in the fantasy genre is the battle between good and evil, which Martin says does not mirror the real world. Just like people's capacity for good and for evil in real life, Martin explores the questions of redemption and character change. The show allows the audience to view different characters from their perspective, unlike in many other fantasies, and thus the supposed villains can provide their side of the story. Main characters are regularly killed off, and this has been credited with developing tension among viewers. The series also reflects the substantial death rates in war. Inspirations and derivations Although the first season is a faithful adaptation of the novel, later seasons have significant changes. According to David Benioff, the show is "about adapting the series as a whole and following the map George laid out for us and hitting the major milestones, but not necessarily each of the stops along the way". The novels and their adaptations base aspects of their settings, characters, and plot on events in European history. A principal inspiration for the novels is the English Wars of the Roses (1455–85) between the houses of Lancaster and York, reflected in Martin's houses of Lannister and Stark. Most of Westeros is reminiscent of high medieval western Europe, from lands and cultures, to the palace intrigue, castles, and knightly tournaments. The scheming Cersei evokes Isabella, the "she-wolf of France" (1295–1358); Isabella and her family (particularly as portrayed in Maurice Druon's historical-novel series, The Accursed Kings) inspired Martin. Other historical antecedents of series elements include Hadrian's Wall (which becomes Martin's Wall), the legend of Atlantis (ancient Valyria), Byzantine Greek fire ("wildfire"), Damascus steel (Valyrian steel), the Colossus of Rhodes (the Titan of Braavos), Ancient Egypt (Slaver's Bay), the Crusades (the Faith Militant), Icelandic sagas of the Viking Age (the Ironborn), the Mongol hordes (the Dothraki), the Hundred Years' War (1337–1453), and the Italian Renaissance (c. 1400–1500). The series' popularity has been attributed, in part, to Martin's skill at fusing these elements into a seamless, credible version of alternate history. Game of Thrones has an ensemble cast estimated as the largest on television; during its third season, 257 cast names were recorded. In 2014, several actor contracts were renegotiated to include a seventh-season option, with raises which reportedly made them among the highest-paid performers on cable TV. In 2016, several actor contracts were again renegotiated, with five of the main cast members having increased their salary to £2 million per episode for the last two seasons, making them one of the highest paid actors on television. The main cast is listed below. Lord Eddard "Ned" Stark (Sean Bean) is the head of House Stark, whose members are involved in most of the series' plot lines. He and his wife, Catelyn Tully (Michelle Fairley), have five children: Robb (Richard Madden), the eldest, followed by Sansa (Sophie Turner), Arya (Maisie Williams), Bran (Isaac Hempstead-Wright) and Rickon (Art Parkinson), the youngest. Ned's illegitimate son Jon Snow (Kit Harington) and his friend, Samwell Tarly (John Bradley), serve in the Night's Watch under Lord Commander Jeor Mormont (James Cosmo). The Wildlings living north of the Wall include warriors Tormund Giantsbane (Kristofer Hivju), Ygritte (Rose Leslie) and young Gilly (Hannah Murray). Others associated with House Stark include Ned's ward Theon Greyjoy (Alfie Allen), his vassal Roose Bolton (Michael McElhatton), and Bolton's bastard son, Ramsay Snow (Iwan Rheon). Robb falls in love with the healer Talisa Maegyr (Oona Chaplin), and Arya befriends blacksmith's apprentice Gendry (Joe Dempsie) and assassin Jaqen H'ghar (Tom Wlaschiha). The tall warrior Brienne of Tarth (Gwendoline Christie) serves Catelyn and, later, Sansa. In King's Landing, the capital, Ned's friend King Robert Baratheon (Mark Addy) shares a loveless marriage with Cersei Lannister (Lena Headey) – who has taken her twin, the Kingslayer Ser Jaime Lannister (Nikolaj Coster-Waldau), as her lover. She loathes her younger brother, the dwarf Tyrion Lannister (Peter Dinklage), who is attended by his mistress Shae (Sibel Kekilli) and the sellsword Bronn (Jerome Flynn). Cersei's father is Lord Tywin Lannister (Charles Dance). Cersei also has two young sons: Joffrey (Jack Gleeson) and Tommen (Dean-Charles Chapman). Joffrey is guarded by the scar-faced warrior, Sandor "the Hound" Clegane (Rory McCann). The king's Small Council of advisors includes crafty Master of Coin Lord Petyr "Littlefinger" Baelish (Aidan Gillen) and eunuch spymaster Lord Varys (Conleth Hill). Robert's brother, Stannis Baratheon (Stephen Dillane), is advised by foreign priestess Melisandre (Carice van Houten) and former smuggler Ser Davos Seaworth (Liam Cunningham). The wealthy Tyrell family is primarily represented at court by Margaery Tyrell (Natalie Dormer). The High Sparrow (Jonathan Pryce) is the capital's principal religious leader. In the southern principality of Dorne, Ellaria Sand (Indira Varma) seeks vengeance against the Lannisters. Across the Narrow Sea, siblings Viserys (Harry Lloyd) and Daenerys Targaryen (Emilia Clarke) – the exiled children of the last king of the original ruling dynasty, who was overthrown by Robert Baratheon – are running for their lives and trying to win back the throne. Daenerys has been married to Khal Drogo (Jason Momoa), the leader of the nomadic Dothraki. Her retinue includes exiled knight Ser Jorah Mormont (Iain Glen), her aide Missandei (Nathalie Emmanuel) and the sellsword Daario Naharis (Michiel Huisman). Before being approached by Benioff and Weiss, Martin had had other meetings with other scriptwriters, most of them wanting to turn it into a feature film. Martin deemed it "unfilmable" and impossible to be done as a feature film, stating that the size of one of his novels is as long as three of J. R. R. Tolkien novels. "I knew it couldn’t be done as a network television series. It’s too adult. The level of sex and violence would never have gone through." He then went on to say that the only way this could be achieved is if HBO does it. The series began development in January 2007. HBO acquired the TV rights to the novels, and Benioff and Weiss were its executive producers. The intention was for each novel to yield a season's worth of episodes. Initially, Benioff and Weiss were to write every episode except one per season which was reserved for Martin (who was co-executive producer). Jane Espenson and Bryan Cogman were later added to write one episode apiece the first season. The first and second drafts of the pilot script by Benioff and Weiss were submitted in August 2007 and June 2008, respectively. Although HBO liked both drafts, a pilot was not ordered until November 2008; the 2007–2008 Writers Guild of America strike may have delayed the process. The pilot episode, "Winter Is Coming", was first shot in 2009; after a poor reception in a private viewing, HBO demanded an extensive re-shoot (about 90 percent of the episode, with cast and directorial changes). The pilot reportedly cost HBO $5–10 million, and the first season's budget was estimated at $50–60 million. In the second season, the show received a 15-percent budget increase for the climactic battle in "Blackwater" (which had an $8 million budget). Between 2012 and 2015, the average budget per episode increased from $6 million to "at least" $8 million. The sixth-season budget was over $10 million per episode, for a season total of over $100 million and a series record. Casting Nina Gold and Robert Sterne are the series' primary casting directors. Through a process of auditions and readings, the main cast was assembled. The only exceptions were Peter Dinklage and Sean Bean, whom the writers wanted from the start; they were announced as joining the pilot in 2009. Other actors signed for the pilot were Kit Harington as Jon Snow, Jack Gleeson as Joffrey Baratheon, Harry Lloyd as Viserys Targaryen and Mark Addy as Robert Baratheon. Addy was, according to showrunners Benioff and Weiss, the easiest actor to cast for the show, being that his audition was on point. Catelyn Stark was scheduled to be played by Jennifer Ehle, but the role was recast with Michelle Fairley. Daenerys Targaryen was also recast, with Emilia Clarke replacing Tamzin Merchant. The rest of the first season's cast was filled in the second half of 2009. Although many of the first-season cast were set to return, the producers had a large number of new characters to cast for the second season. Due to this, Benioff and Weiss postponed the introduction of several key characters and merged several characters into one or assigned plot functions to different characters. Game of Thrones used seven writers in six seasons. Series creators David Benioff and D. B. Weiss, the showrunners, write most of the episodes each season. A Song of Ice and Fire author George R. R. Martin wrote one episode in each of the first four seasons. Martin did not write an episode for the later seasons, since he wanted to focus on completing the sixth novel (The Winds of Winter). Jane Espenson co-wrote one first-season episode as a freelance writer. Bryan Cogman, initially a script coordinator for the series, was promoted to producer for the fifth season. Cogman, who wrote at least one episode for the first five seasons, is the only other writer in the writers' room with Benioff and Weiss. Before his promotion, Vanessa Taylor (a writer during the second and third seasons) worked closely with Benioff and Weiss. Dave Hill joined the writing staff for the fifth season after working as an assistant to Benioff and Weiss. Although Martin is not in the writers' room, he reads the script outlines and makes comments. Benioff and Weiss sometimes assign characters to particular writers; for example, Cogman was assigned to Arya Stark for the fourth season. The writers spend several weeks writing a character outline, including what material from the novels to use and the overarching themes. After these individual outlines are complete, they spend another two to three weeks discussing each main character's individual arc and arranging them episode by episode. A detailed outline is created, with each of the writers working on a portion to create a script for each episode. Cogman, who wrote two episodes for the fifth season, took a month and a half to complete both scripts. They are then read by Benioff and Weiss, who make notes, and parts of the script are rewritten. All ten episodes are written before filming begins, since they are filmed out of order with two units in different countries. Benioff and Weiss write each of their episodes together, with one of them writing the first half of the script and the other the second half. After that they begin with passing the drafts back and forth to make notes and rewrite parts of it. Adaptation schedule Benioff and Weiss intend to adapt the entire, still-incomplete A Song of Ice and Fire series of novels for television. After Game of Thrones began outpacing the published novels in the sixth season, the series was based on a plot outline of the future novels provided by Martin and original content. In April 2016, the showrunners' plan was to shoot 13 more episodes after the sixth season: seven episodes in the seventh season and six episodes in the eighth. Later that month, the series was renewed for a seventh season with a seven-episode order. As of 2017, seven seasons have been ordered and filmed, adapting the novels at a rate of about 48 seconds per page for the first three seasons. Principal photography for the first season was scheduled to begin on July 26, 2010, and the primary location was the Paint Hall Studios in Belfast, Northern Ireland. Exterior scenes in Northern Ireland were filmed at Sandy Brae in the Mourne Mountains (standing in for Vaes Dothrak), Castle Ward (Winterfell), Saintfield Estates (the Winterfell godswood), Tollymore Forest (outdoor scenes), Cairncastle (the execution site), the Magheramorne quarry (Castle Black) and Shane's Castle (the tourney grounds). Doune Castle in Stirling, Scotland, was also used in the original pilot episode for scenes at Winterfell. The producers initially considered filming the whole series in Scotland, but decided on Northern Ireland because of the availability of studio space. The first season's southern scenes were filmed in Malta, a change in location from the pilot episode's Moroccan sets. The city of Mdina was used for King's Landing. Filming was also done at Fort Manoel (representing the Sept of Baelor); at the Azure Window on the island of Gozo (the Dothraki wedding site) and at San Anton Palace, Fort Ricasoli, Fort St Angelo and St. Dominic monastery (all used for scenes in the Red Keep). Filming of the second season's southern scenes shifted from Malta to Croatia, where the city of Dubrovnik and nearby locations allowed exterior shots of a walled, coastal medieval city. The Walls of Dubrovnik and Fort Lovrijenac were used for scenes in King's Landing and the Red Keep. The island of Lokrum, the St. Dominic monastery in the coastal town of Trogir, the Rector's Palace in Dubrovnik, and the Dubac quarry (a few kilometers east) were used for scenes set in Qarth. Scenes set north of the Wall, in the Frostfangs and at the Fist of the First Men, were filmed in November 2011 in Iceland: on the Vatnajökull glacier near Smyrlabjörg, the Svínafellsjökull glacier near Skaftafell and the Mýrdalsjökull glacier near Vik on Höfðabrekkuheiði. Third-season production returned to Dubrovnik, with the Walls of Dubrovnik, Fort Lovrijenac and nearby locations again used for scenes in King's Landing and the Red Keep. Trsteno Arboretum, a new location, is the garden of the Tyrells in King's Landing. The third season also returned to Morocco (including the city of Essaouira) to film Daenerys' scenes in Essos. Dimmuborgir and the Grjótagjá cave in Iceland were used as well. One scene, with a live bear, was filmed in Los Angeles. The production used three units (Dragon, Wolf and Raven) filming in parallel, six directing teams, 257 cast members and 703 crew members. The fourth season returned to Dubrovnik and included new locations, including Diocletian's Palace in Split, Klis Fortress north of Split, Perun quarry east of Split, the Mosor mountain range, and Baška Voda further south. Thingvellir National Park in Iceland was used for the fight between Brienne and the Hound. Filming took 136 days and ended on November 21, 2013. The fifth season added Seville, Spain, used for scenes of Dorne. The sixth season, which began filming in July 2015, returned to Spain and filmed in Girona and Peniscola. Seventh-season production returned to Spain, filming in Seville, Cáceres, Almodovar del Rio, Santiponce, Zumaia and Bermeo. Filming of the seven episodes of Season 7 began on August 31, 2016 at Titanic Studios in Belfast, with location work to be done in Iceland, Northern Ireland and many locations in Spain. Filming continued until the end of February 2017 as necessary to ensure winter weather in some of the European locations. Directing Each ten-episode season of Game of Thrones has four to six directors, who usually direct back-to-back episodes. Alex Graves, David Nutter, and Alan Taylor have directed the most episodes of the series, with six each. Daniel Minahan directed five episodes, and Michelle MacLaren, Mark Mylod, Jeremy Podeswa, Alik Sakharov, and Miguel Sapochnik directed four each. Brian Kirk directed three episodes during the first season, and Tim Van Patten directed the series' first two episodes. Neil Marshall directed two episodes, both with large battle scenes: "Blackwater" and "The Watchers on the Wall". Other directors have been Jack Bender, David Petrarca, Daniel Sackheim, Michael Slovis and Matt Shakman. David Benioff and D. B. Weiss have also directed one episode each. Technical aspects Alik Sakharov was the pilot's cinematographer. The series has had a number of cinematographers, and has received seven Primetime Emmy Award for Outstanding Cinematography for a Single-Camera Series nominations. Oral Norrey Ottey, Frances Parker, Martin Nicholson, Crispin Green, Tim Porter and Katie Weiland have edited the series for a varying number of episodes. Weiland received a Primetime Emmy Award for Outstanding Single-Camera Picture Editing for a Drama Series in 2015. Costume Design Michele Clapton was costume designer for Game of Thrones' first five seasons before she was replaced by April Ferry. Clapton will return to the show as costume designer for the seventh season. The series' costumes are inspired by a number of cultures, including medieval Japan and Persia. Dothraki dress resembles that of the Bedouin (one was made out of fish skins to resemble dragon scales), and the Wildlings wear animal skins like the Inuit. Wildling bone armor is made from molds of actual bones, and is assembled with string and latex resembling catgut. Although the extras who play Wildlings and the Night's Watch often wear hats (normal in a cold climate), members of the principal cast usually do not so viewers can distinguish the main characters. Björk's Alexander McQueen high-neckline dresses inspired Margaery Tyrell's funnel-neck outfit, and prostitutes' dresses are designed for easy removal. All clothing is aged for two weeks so it appears realistic on high-definition television. About two dozen wigs are used for the actresses. Made of human hair and up to 2 feet (61 cm) in length, they cost up to $7,000 each and are washed and styled like real hair. Applying the wigs is time-consuming; Emilia Clarke, for example, requires about two hours to style her brunette hair with a platinum-blonde wig and braids. Other actors, such as Jack Gleeson and Sophie Turner, receive frequent hair coloring. For characters such as Daenerys (Clarke) and her Dothraki, their hair, wigs and costumes are processed to appear as if they have not been washed for weeks. Makeup For the first three seasons, Paul Engelen was Game of Thrones' main makeup designer and prosthetic makeup artist with Melissa Lackersteen, Conor O'Sullivan and Rob Trenton. At the beginning of the fourth season Engelen's team was replaced by Jane Walker and her crew, composed of Ann McEwan and Barrie and Sarah Gower. Visual effects For the series' large number of visual effects, HBO hired British-based BlueBolt and Irish-based Screen Scene for season one. Most of the environment builds were done as 2.5D projections, giving viewers perspective while keeping the programming from being overwhelming. In 2011 the season-one finale, "Fire and Blood", was nominated for a Primetime Emmy Award for Outstanding Special Visual Effects. Because the effects became more complex in subsequent seasons (including CGI creatures, fire, and water), German-based Pixomondo became the lead visual-effects producer; nine of its twelve facilities contributed to the project for season two, with Stuttgart the lead. Scenes were also produced by British-based Peanut FX, Canadian-based Spin VFX, and U.S.-based Gradient Effects. "Valar Morghulis" and "Valar Dohaeris" earned Pixomondo Primetime Emmy Awards for Outstanding Special Visual Effects in 2012 and 2013, respectively. For season four, HBO added German-based Mackevision to the project. The season-four finale, "The Children", won the 2014 Emmy Award for Visual Effects. Additional producers for season four included Canadian-based Rodeo FX, German-based Scanline VFX and U.S.-based BAKED FX. The muscle and wing movements of the adolescent dragons in seasons four and five were based largely on those of a chicken. Pixomondo retained a team of 22 to 30 people which focused on visualizing Daenerys Targaryen's dragons, with the average production time per season of 20 to 22 weeks. For the fifth season, HBO added Canadian-based Image Engine and U.S.-based Crazy Horse Effects to its list of main visual-effects producers. Sound Unusual for a television series, the sound team receives a rough cut of a full season and approaches it as a ten-hour feature film. Although seasons one and two had different sound teams, one team has been in charge of sound since then. For the show's blood-and-gore sounds, the team often uses a chamois. For dragon screams, mating tortoises and dolphin, seal, lion and bird sounds have been used. Title sequence The series' title sequence was created by production studio Elastic for HBO. Creative director Angus Wall and his collaborators received the 2011 Primetime Emmy Award for Main Title Design for the sequence, which depicts a three-dimensional map of the series' fictional world. The map is projected on the inside of a sphere which is centrally lit by a small sun in an armillary sphere. As the camera moves across the map, focusing on the locations of the episode's events, clockwork mechanisms intertwine and allow buildings and other structures to emerge from the map. Accompanied by the title music, the names of the principal cast and creative staff appear. The sequence concludes after about 90 seconds with the title card and brief opening credits indicating the episode's writer(s) and director. Its composition changes as the story progresses, with new locations replacing those featuring less prominently or not at all.

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