Jascha Heifetz Samuel Goldwyn They Shall Have Music “Music School” Deems Taylor

Description: Jascha Heifetz in his first motion picture for Samuel Goldwyn "They shall have music" (formerly called "Music School") By Taylor, Deems, 1885-1966 Biographical notes, with a reference to "Music School" his first motion picture for Samuel Goldwyn Publisher New York : United Artists Creation Date 1939 Format 16 Pages Softcover 6” x 8.25” Heifetz, Jascha, 1901-1987 Jascha Heifetz Jascha Heifetz (February 2 [O.S. January 20] 1901 – December 10, 1987) was a Russian-American violinist, widely regarded as one of the greatest violinists of all time. Born in Vilnius, he was soon recognized as a child prodigy and was trained in the Russian classical violin style in St. Petersburg. Accompanying his parents to escape the violence of the Russian Revolution, he moved to the United States as a teenager, where his Carnegie Hall debut was rapturously received. Fritz Kreisler, another leading violinist of the twentieth century, said after hearing Heifetz's debut, "We might as well take our fiddles and break them across our knees." Jascha Heifetz Born February 2, 1901 Vilnius, Russian Empire (now Lithuania) Died December 10, 1987 (aged 86) Los Angeles, California, U.S. Occupation Violinist Spouses Florence Vidor (m. 1928; div. 1945) Frances Spiegelberg (m. 1947; div. 1963) Children 3 By the age of 18, Heifetz was the highest-paid violinist in the world.[3] He had a long and successful concert career, including wartime service with the United Service Organizations (USO). After an injury to his right (bowing) arm in 1972, he switched his focus to teaching. Returning to RCA Victor in 1946, Heifetz continued to record extensively for the company, including solo, chamber, and concerto recordings, primarily with the Boston Symphony Orchestra under Charles Munch and the Chicago Symphony Orchestra under Fritz Reiner. In 2000, RCA released a double CD compilation entitled Jascha Heifetz – The Supreme. This release provides a sampling of Heifetz's major recordings, including the 1955 recording of Brahms's Violin Concerto with Reiner and the Chicago Symphony Orchestra; the 1957 recording of Tchaikovsky's Violin Concerto (with the same forces); the 1959 recording of Sibelius's Violin Concerto with Walter Hendl and the Chicago Symphony Orchestra; the 1961 recording of Max Bruch's Scottish Fantasy with Sir Malcolm Sargent and the New Symphony Orchestra of London; the 1963 recording of Glazunov's A minor Concerto with Walter Hendl and the RCA Victor Symphony Orchestra (drawn from New York musicians); the 1965 recording of George Gershwin's Three Preludes (transcribed by Heifetz) with pianist Brooks Smith; and the 1970 recording of Bach's unaccompanied Chaconne from the Partita No. 2 in D minor. Third Israel tour In Beersheba, Israel, 1953 On his third tour to Israel in 1953, Heifetz included the Violin Sonata by Richard Strauss in his recitals. At the time, many considered Strauss and a number of other German intellectuals Nazis, or at least Nazi sympathizers, and Strauss works were unofficially banned in Israel along with those of Richard Wagner. Despite the fact that the Holocaust had occurred less than ten years earlier and a last-minute plea from Ben-Zion Dinur, the Israeli Minister of Education, the defiant Heifetz argued, "The music is above these factors … I will not change my program. I have the right to decide on my repertoire." In Haifa his performance of the Strauss sonata was greeted with applause, however in Tel Aviv it was followed by dead silence. Heifetz was attacked after his recital in Jerusalem outside his hotel by a young man who struck Heifetz's violin case with a crowbar, prompting Heifetz to use his bow-controlling right hand to protect his priceless violins. The attacker escaped and was never found. The attack has since been attributed to the Kingdom of Israel militant group. The incident made headlines and Heifetz defiantly announced that he would not stop playing the Strauss. Threats continued to come, however, and he omitted the Strauss from his next recital without explanation. His last concert was cancelled after his swollen right hand began to hurt. He left Israel and did not return until 1970. Heifetz played a featured role in the movie They Shall Have Music (1939), directed by Archie Mayo and written by John Howard Lawson and Irmgard von Cube. He played himself, stepping in to save a music school for poor children from foreclosure. He later appeared in the film, Carnegie Hall (1947), performing an abridged version of the first movement of Tchaikovsky's Violin Concerto, with the orchestra led by Fritz Reiner. In 1951, he appeared in the film Of Men and Music. In 1962, he appeared in a televised series of his master classes, and, in 1971, Heifetz on Television aired, an hour-long color special in which he performed a series of short works: the Scottish Fantasy by Max Bruch, and the Chaconne from the Partita No. 2 by J. S. Bach. Heifetz conducted the orchestra, as the surviving video recording documents.

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End Time: 2024-12-04T20:56:46.000Z

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