The Stepford Wives (WIDE Screen Collector's Edition) - DVD

Description: The Stepford Wives (2004 film)28 languagesArticleTalkReadEditView historyToolsFrom Wikipedia, the free encyclopediaThe Stepford WivesTheatrical release posterDirected byFrank OzScreenplay byPaul RudnickBased onThe Stepford Wives by Ira LevinProduced byScott RudinDonald De LineEdgar J. ScherickGabriel GrunfeldStarringNicole KidmanMatthew BroderickBette MidlerChristopher WalkenRoger BartFaith HillGlenn CloseCinematographyRob HahnEdited byJay RabinowitzMusic byDavid ArnoldProduction companiesParamount Pictures DreamWorks Pictures De Line Pictures[1]Distributed byParamount Pictures (North America)DreamWorks Pictures (through United International Pictures; international)Release dateJune 11, 2004 (United States)Running time93 minutesCountryUnited StatesLanguageEnglishBudget$90–100 million[2][3]Box office$103.3 million[2][3]The Stepford Wives is a 2004 American science fiction black comedy film directed by Frank Oz from a screenplay by Paul Rudnick and starring Nicole Kidman, Matthew Broderick, Bette Midler, Glenn Close, Christopher Walken, and Faith Hill. The second feature-length adaptation of Ira Levin's 1972 novel of the same name following the 1975 film of the same name, it received generally negative reviews from critics and was a box office failure, grossing $103 million worldwide on a $90–100 million budget.[4]Plot[edit]Successful reality television executive producer Joanna Eberhart's career suddenly ends after a disillusioned reality show participant named Hank tries to kill her. After Joanna suffers a mental breakdown upon the loss of her job, she, her husband Walter Kresby, and their two children move from Manhattan to Stepford, a quiet Fairfield County, Connecticut suburb. Upon the family's arrival, Joanna befriends writer and recovering alcoholic Roberta "Bobbie" Markowitz and Roger Bannister, a flamboyant gay architect who has moved to town with his long-time partner Jerry, a corporate lawyer.After the trio witness Sarah Sunderson violently dance and then collapse, Joanna argues with Walter about the incident until Walter bluntly informs her that her children barely know her, their marriage is falling apart, and her domineering nature makes people want to kill her. As he tries to walk out of their marriage, Joanna apologizes and agrees to appease him by trying to fit in with the other wives. The next day, Joanna, Bobbie and Roger go to Sarah's home to check up on her, where upon entering, they hear her upstairs, ecstatically screaming during sex with her husband Herb. As they scramble to sneak out, they find a remote control labeled SARAH, which makes her breasts enlarge and make her walk backward robotically as they unwittingly fiddle with it.One evening, Walter and Bobbie's husband Dave go to the Men's Association with Roger and Jerry, but Joanna and Bobbie hire a babysitter and sneak inside to spy on them and the other husbands. They discover a hall filled with family portraits, but Roger catches them and assures them that all is well. The next day, the pair discover Roger's flamboyant clothing, Playbill program from Hairspray, and memorabilia of Orlando Bloom and Viggo Mortensen have all been discarded. Jerry tells them to meet him in the town hall and they see Roger, apparently running for Connecticut State Senate with a bland look and conformist personality, all at Jerry's direction. Joanna wants to leave and Walter agrees, saying they will go the next day. Going into Walter's study, she discovers that all the Stepford wives were once working women in high-power positions, just like herself.The next day, Joanna visits Bobbie, noticing that her formerly messy house is spotless. Now blending in with the other Stepford wives, Bobbie says she is a whole new person and the most important thing is her cookbook. While offering to help Joanna change, Bobbie doesn't notice her own hand on fire when she obliviously rests it on a stove burner. Joanna flees Bobbie's house to look for Walter at the Men's Association, where all the neighborhood's husbands imposingly surround her. Walter laments to Joanna that he always felt emasculated by her, and the Men's Association leader Mike Wellington explains that they insert nanochips into their wives' brains to make them into poised, submissive Stepford Wives. Joanna asks if the nanochipped wives really mean it when they tell their husbands that they love them, to which Mike only replies "enjoy" and ushers a reluctant Walter and Joanna into the transformation chamber. The next scene shows all of the Stepford spouses, including Joanna, Bobbie and Roger, now dazedly shopping at the grocery store dressed in classy Sunday attire.With Joanna and Walter as special guests, Stepford hosts a formal ball. During the festivities, Joanna distracts Mike and entices him into the garden, while Walter slips away to the transformation room where he destroys the software that programs the women. The wives all start confronting their husbands, and Walter and Joanna reveal that they never went through with the microchip implant. When Mike nearly assaults Walter, Joanna decapitates Mike with a candlestick, exposing him as a fully animatronic robot. Mike's wife Claire explains that she created Stepford because she, too, was a bitter career-minded woman. When she discovered Mike's affair with her research assistant, she murdered them in a jealous rage, then used her skills as a brain surgeon to develop the Stepford Wives program in an effort to improve marriages. Claire then electrocutes herself to death by kissing Mike's severed robotic head.Six months later, in an interview with Larry King, Joanna (who has won six Emmys for producing the hard-hitting documentary Stepford: The Secret of the Suburbs), Roger (who has won his State Senate seat as an Independent) and Bobbie (who has written and published her first book of poetry Wait Until He's Asleep, Then Cut It Off) explain that the Stepford husbands are under house arrest for their crimes and being retrained to become better people. The closing scene shows the husbands shopping for groceries, under the strict oversight of their wives.Cast[edit]Nicole Kidman as Joanna EberhartMatthew Broderick as Walter KresbyBette Midler as Roberta "Bobbie" MarkowitzGlenn Close as Claire WellingtonChristopher Walken as Michael "Mike" WellingtonRoger Bart as Roger BannisterFaith Hill as Sarah SundersonJon Lovitz as Dave MarkowitzDavid Marshall Grant as Jerry HarmonMatt Malloy as Herb SundersonKate Shindle as Beth PetersLorri Bagley as Charmaine Van SantLisa Lynn Masters as Carol WainwrightRobert Stanton as Ted Van SantMike White as HankCarrie Preston as BarbaraKaDee Strickland as TaraLarry King as HimselfMeredith Vieira as host of Balance of PowerBilly Bush as host of I Can Do BetterMary Beth Peil as Helen DevlinProduction[edit]John Cusack and his sister Joan were originally cast as Walter and Bobbie, respectively, but both had to drop out of the film only weeks before filming started to be with their father Dick, who was dying.[5] Joan had previously appeared in two other films written by Rudnick, Addams Family Values and In & Out (the latter also directed by Frank Oz, for which she was nominated for an Academy Award).Reportedly, there were problems on-set between Oz and stars Nicole Kidman, Bette Midler, Christopher Walken, Glenn Close and Roger Bart. In a 2003 interview, Oz stated, "Tension on the set? Absolutely! In every movie I do, there's tension. That's the whole point. And working people hard, that's exactly what they expect me to do [...] Bette has been under a lot of stress lately [...] She made the mistake of bringing her stress on the set."[6]The film was originally conceived as a darkly satirical piece with an ending closer to the finale of the original but negative results from test screenings caused Paramount to commission numerous rounds of reshoots[7] which significantly altered the tone of the film and gave it a new ending.[8]In a 2005 interview Matthew Broderick stated, "Making that film wasn't enjoyable. It was nobody's fault but my part was not terribly interesting [...] It was not a thrilling film. I would hate it if it were my last."[9]In a 2007 interview with Ain't It Cool News, Oz's take on the film was "I had too much money and I was too responsible and concerned for Paramount. I was too concerned for the producers. And I didn't follow my instincts."[10]The majority of the film was shot in Darien, New Canaan and Norwalk, Connecticut.[11][12]

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